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Matt Purple, writing at The American Conservative, wrote an article entitled #MeToo Becomes a Revolution, which starts out alarmingly enough with a stock photo of a man and a woman, their backs turned, their stances tense with anger, the sun setting behind them. He then asks

Is it okay to proposition a woman for sex after drinks? To initiate a workplace romance? To behave like a Casanova and bed as many partners as possible under the catchall excuse that you’re just “playing the field”?

Purple wants to portray the #MeToo movement as one in which the "inherent contradictions of leftism" are now tearing The Leftist Sexual Agenda™ apart. He gleefully quotes Christine Emba's Washington Post article, Let's Rethink Sex, in which Emba writes,

We need to reintroduce virtues such as prudence, temperance, respect and even love. We might pursue the theory that sex possibly has a deeper significance than just recreation and that ‘consent’—that thin and gameable[sic] boundary—might not be the only moral sensibility we need respect

To which I respond:

Welcome to the Queering of America.

In a conversation with Andrew Sullivan at the New York Public Library five years ago, Dan Savage correctly hit on what's happening:

Everything that straight people do now in their twenties and their early thirties is what was condemned thirty years ago by right-wing religious conservatives as the gay lifestyle. You renamed everything. Gay people had tricks, you people have hookups, gay people had fuck buddies, you people have friends with benefits, but the whole moving to the city, living in an urban area, having an apartment, fucking a lot of people, dating around, and then settling down in your thirties, that period of straight life, post-college, pre-marriage, the way we do it in the blue states, where it works, is the gay lifestyle.

But there's more to in than just this. There's the other side of the issue.

Sex between two people of the same sex lacks the gender dynamic of sex between two people of the opposite sex. There's no culturally embedded expectation of a power differential between two men, or between two women. It's hard to be a misogynist when you're a woman. It's hard to be a misandrist when you're a man. Men expect other men to bring the same feelings, the same power, the same desires to bed; the same is true of women. There have been a handful of reports of gay men in positions of power harassing other men, but there have been no reports of gay men harassing other men when they're peers, but plenty of reports of men harassing women peers because men expect to get away with it and women have been socialized to accept it.

(I don't want to paint the gay sex scene as idyllic; it's just as full of jerks and monsters as the straight scene. Differentials of race and, especially, class play a huge role, since wealthier gay men can afford PReP while the poorer ones, as everywhere else, are struggling to eat and keep the lights on. The interactions between those who have been reconciled to coming out and those who haven't can be fraught with unstated agenda. But the single largest conflict in our culture, that between men and women, simply doesn't exist.)

The conflict here is between those who want that power between men and women to be equal, and those who don't. And conversations about power lead us not to the queering of America, but something else:

Welcome to the Kinking of America.

If you've been to a professional conference in the past ten years, you may have been asked to read a Code of Conduct, which specifies the expectations of people at professional events to, well, be professional, and describes the social and professional, if not legal, consequences of exceeding the terms specified. I've read over twenty of these things and I've come away with one distinct feeling every time: whoever writes a Code of Conduct should send a thank-you note to Pat Califia.

Thirty-five years ago, Pat Califia wrote one of the most important books in the history of human sexuality: The Lesbian S/M Safety Manual. A slim volume, little more than a chapbook, was the first to lay out in explicit, concrete terms the notions of power differential and consent that we're grappling with today. She took the U.N. Declaration of Human Rights and made it intimate: how we as intimate individuals have a right to feel safe in our own skins and in the presence of others, even when the power differential between them is vast, even when what the two people want out of an intimate encounter is a violent, physically demanding role-playing of the existing power struggle or its inversion.

Every modern Code of Conduct descends from The Lesbian S/M Safety Manual. The earliest ones are almost verbatim copies of the guidelines for kinky events; later ones refine the CoC with more professional language. It's almost as if, when the time came to write it, a volunteer stepped forward with "I have significant experience on this," without going into detail what experience she had.

Consent is necessary but not sufficient.

When Emba writes that consent is "that thin and gameable boundary," she's making a category error that kinky people don't make— and our world is the one that's been thinking about consent longer than anyone else. When a friend visits and you offer them a drink, if they don't consent, you know not to shove it down their throat, not matter how much you may like alcohol. In every other category of life, we understand consent implicitly. It's only in sex that we artificially thin out and game the boundary, mostly because the cads in power want it that way. All we're asking is that the rest of the world adopt our ideas on the inviolability of the other person's body, humanity and dignity as we expect it of our own, and to do so without assumption as to how the other person defines those terms.

We ask that you ask.

The school district where I live has an excellent three-week sex-ed course for middle school students that includes a brilliant section on consent. It, too, reads a lot like the Safety Manual, only it adds years of sociological research into conversational interaction and provides a pretty good formula for asking for consent: set ground, then ask. "I like when you do X. Could you do it more?"; "I don't like when you do X. Would you be willing to do something else?"

Because consent is necessary to an ethical sexual encounter, but it is not sufficient. The two participants must talk about it. They must explicitly raise the issue of existing power differentials, and they should agree that even in the presence of those differentials, the forms of intimacy they're considering would most likely work out for the best. In short, when Emba says, and Purple endorses, that sex must include "temperance, prudence, and respect," she's claiming that the consent movement needs to start talking about, well, the stuff we've been talking about for thirty-five years!

The consent movement assumes that people have temperance, prudence and respect for each other, and has for all that time that we've been talking about it, and has always said that if you don't have those things you shouldn't be out there.

Answering the questions.

So, to answer Purple's snarky introduction:

"Is it okay to proposition a woman for sex after drinks?" The answer is: it depends on the context. Are you co-workers? Then no, it is not okay. There are power relationships going on around you that can skew your relationship badly: you cannot guarantee that your sense of duty will not be compromised by a request from your partner or your employer. Are you at a professional conference or event? Maybe, if neither of you is a presenter; otherwise, one of you has power the other does not. Are you friends? Again, maybe.

"Is it okay to initiate a workplace romance?" Under almost all circumstances: no. Maybe, if you were in wildly different divisions, with different chains of command, that had no working relationship. But you could never ethically date within the company if you or the other person was an executive, or a member of human resources, as again the power differential is a great risk.

"Is it okay to behave like a Casanova and bed as many partners as possible under the catchall excuse that you’re just 'playing the field?'" Yes, as long as every one of your partners understands that's what's going on, and that you both still go through the essential conversation about whether or not it'll be good for you both.

There exist, and have existed for decades, contexts which men and women visit for the explicit purpose of meeting, pairing up, and having sex. There are bars, there are "singles events" at square dances, small theatres, garden clubs, and kite-flying at the park. There have always been gay bars and kinky dungeons, too. These days there are websites and Tindr and Grindr and a host of others. In another context, all we ask is that you have respect, decency, and an awareness that that context may not be one suitable to a come-on.

Women are, in general, physically smaller and less strong than men. Men have created a world in which women learn from a very young age that this makes them vulnerable, and men have crafted a social and legal system that gives them every advantage over women; the society we live in teaches that women aren't to be trusted, believed, or even understood. A recent and utterly brilliant take on this is Kristen Roupenian's Cat Person, a short story from a woman's point of view about meeting and dating a man, and how her picture of him is constantly changing, because she's constantly on guard against the threat men represent to her from the simple, constant, leering attacks on her dignity all the way to threats of violence; from her point of view, and from the point of view of most women, men have a lot of work to do until they're understood, believed, and trusted.

Which is a bit of a shame. As I learned long ago, women actually like sex more than men do, but can rarely let loose the way they'd like because they're too busy burning mental cycles trying to figure out if the guy they're with is a threat and, having determined that he's not a threat, if he's any damn good at all in bed. Most men can name more parts of a gun, an automobile engine, or a computer mainboard than they can a vulva.

To claim that, twenty years ago, Purple's list of caddish activities would be met with a "resounding Yes!" is to miss the point of the #metoo revolution. Lots of men have been jerks. Women are tired of doing all the work while "great men" get the credit, and women are tired of constantly having to fend off the unwanted advances of men, the constant distraction of low-level sexual harassment while they're just trying to get their jobs done. The Internet has given them a tool with which to rally, and we should all be thankful for it.

It's hard to take Purple seriously. When he says that twenty years ago being a cad was, well, maybe not the best thing in the world but Christians had learned to live in a world full of cads, the funny thing is that the kinky community was saying that a world full of cads is a terrible thing and we can, and should, do better.

The queer and kinky communities have always been a bit utopian: after all, they both started as reviled communities, and both wished for a better world not just for themselves but for everyone. They first started to surface in the 1960s, the same time as Stewart Brand's New Games movement, and the motto of that last is still the best one we've ever had. We wish, and we teach, people to bring it into the bedroom:

Play hard. Play fair. Nobody hurt.

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In my long-running erotic space opera, The Journal Entries, there’s been an almost as long-running thread around sexbots. With few exceptions, the sexbot stories have always been about second-hand robots; ones whose previous owners for one reason or another have died or abandoned the robot, leaving her (it’s almost always a “her” robot) to figure out how to live life without someone who absolutely needs and requires her presence.

Part of the reason I have avoided “first owner” stories is that they don’t interest me; my own reasoning is that men would buy a completely deferent sexbot because they themselves are not very competent human beings, because actual relationships with real individuals are hard, and because they’re the sort of men who would take an easy route out rather than engage in any sort of self-examination.

It may show my lack of thought, but until today I hadn’t stopped to connect that thought with two other ideas running through the fabric of our society. On the one hand, the Men’s Rights Activist movement is eagerly awaiting the emergence of sexbots, woman-shaped substitutes that will provide them with the release valve they say they need.

On the other hand, there’s the idea that women are called upon to engage in “unpaid emotional labor.” Emotional labor is the requirement of a job to depict specific emotional states toward customers or clients: you must be cheerful, or optimistic, or attentive, all emotional states you must somehow pretend to have even when your own life is not any of those things. “Unpaid emotional labor” is the acknowledgement that, outside of work, men are allowed to be angry or grim, whereas a woman being any of those things in public is assailed with requests to “cheer up” and “stop being a downer debbie.”

Relationships require some emotional labor from all parties involved. But sexbots don’t require any emotional labor at all. The “good enough” AIs MRAs eagerly await will do all of the work, and need nothing in return.

Which brings us back to the main point I’ve been making about men and sex. I fully believe that upwards of one-third of all men really don’t like sex. They like orgasms and they like expressions of their potency, but the whole sex thing, its sticky, icky wetness, the need to study and learn its ins and outs, its requirement that one negotiate fairly with a partner and come to an agreement on getting everyone’s needs met, just isn’t their thing. It’s too much work.

So when MRAs breathlessly await the coming sexbot revolution, what they’re really saying is simple: MRAs are lousy men. They’re bad at being human beings. And they don’t want to learn. “Relationships are hard. Let’s go shopping.”
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I've just finished the add-on adventure, Scorchers, for Id Software's game Rage, and I'm even more deeply annoyed by the unnecessary sexism in the add-on that Id somehow avoided in the original adventure.

It isn't just that Sarah is poorly dressed for combat. It's that she knows it. It's that she comments on it: "Well, it's not much for a firefight, but maybe it'll distract the bad guys a little." Immediately after this, Sarah is kidnapped by members of the Scorcher bandit clan.

As with any such game, it's a stupid firefight from then on. Kill the bad guys in one room, move on; kill the bad guys in the next room, move on. A silly puzzle, a boss battle. It's not much of a game, really. Eventually, you defeat the baddest boss and rescue Sarah, who takes you to...

The Trophy Room. I'm not kidding. Your "headquarters" is the town of Wellspring. Some of the doors there were locked, and now two have been opened with this additional content: the casino where this adventure began, and "The Trophy Room," a little place where all the various bits and pieces of memorabilia you've picked up along the way are collected in niches and bookshelves.

Including Sarah. Who delivers lines like, "Hey, come back and see me anytime." She's always in the Trophy Room. Later, when you revisit, she's lying on the bed and delivers lines like "When are you going to show me your BFG?"

Good grief. It's like the writers of the DLC said to themselves, "Hey, we somehow forgot to be sexist goddamn pigs in the original, let's make up for it! You know what this game needs? A woman the main character can claim as his own!"

I can't claim this is the most horrible example in all of video games. This is no God of War. But Id was doing so well up to this point, and there was no reason at all to sex it up now.
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I played the Id game Rage this weekend. I'd found it in a remainder bin, and I vaguely remember having played and enjoyed it, so I figured another play-through would be fun. I also purchased the add-ons "Sewers" and "Scorchers," the latter of which is an entire major in-game campaign that unlocks after you reach the Wellspring level.

The Scorcher campaign starts in caves under Dan Haggar's compound. Which is weird because Dan never mentioned caves and there's really no association between those caves and the placement of the Haggar settlement; there's no benefit there. The number one need of people in the wasteland is water, and if the caves are sources of Dan's water, they should bloody well say so. (That said, we know there's a lot of water bubbling through the crumbling dam area just to the west, so why loser clans like the Ghost and Wasted are allowed to monopolize it is inexplicable.)

And that's where you meet Sarah Haggar. So far, in Rage, you've met a couple of women: Janus, Loosum, Becky, Olive, Sally, Elizabeth, Ginny, and Daemia. All of them were dressed appropriately for their environment. Ginny and Loosum wear cargo shorts, but so do some of the men.

Sarah Hagar is dressed in a ragged knee-length skirt and a two-toned hand-stiched leather bikini top. She wears this while actively in combat against mutants and Scorcher bandits deep in a cave of sharp rocks and dangerous tools.

This makes absolutely no sense. You've already bought at least two upgrades for your body armor, and she's dressed like a character from Dead Or Alive. It's weird how this annoyed me. Rage had been doing so well with its women characters up to this point.

Totally by coincidence, Feminist Frequency this morning puts up an article about Buying Women's Bodies Through DLCs. But in her point, she talks about how this is used as a selling point; access to visible representations of pliable women is used to upsell the product. The sexism sells. But as far as I can tell, Sarah's appearance was never used to sell the Scorchers DLC. It's just... there. Unnecessarily. Which makes it all the stranger.
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I am a man.

I'm pretty sure, when I went off to college, that my mother and father sincerely believed that I would make it through all of college without getting beaten up. The "beat down," in their vocabulary, something reserved for low-lifes and in my mother's case, sadly, for people with skin significant shades darker than her French heritage.

The right wing is notably upset about the current attention being paid to rape culture, to the cultural mindset that makes women prey and men- some men- predators. The real target of this attention is the support mechanisms of rape culture, the guys who laugh at jokes about drunk women, who snicker at rape jokes, who help the rapist feel comfortable among other men. The idea behind the pact is that, upon hearing about a guy who "took advantage" of a woman too drunk to consent, most men are now trained to believe "There but for the grace of God..." when what we want them to think is "I'm better than that."

Harvey Mansfield goes on a tear about Feminism and its Discontents, complaining that (cliche warning) humorless feminism now wants a culture of sexual adventure that never results in a "misadventure."

Rape isn't "misadventure." Falling off the bed and spraining your ankle during sexual adventure is misadventure. Straining your neck during marathon cunnilingus is misadventure. Running into a misplaced elbow during orgasmic collapse is misadventure.

Failing to respect your partner isn't misadventure. It's being a jerk. Failing to respect your partner's "no" isn't misadventure, it's rape.

A beat-down isn't a misadventure. It's a deliberate attack by one human being on another with intent. It isn't the physical trauma of a bicycle crash or falling out of a tree. It's a deliberate act by one human being visited upon another. And it's cause for police involvement.

Beat-downs happen rarely, because men view other men both as potential brothers-in-arms and as equals, and as threats: the likelihood is high that in any one-on-one physical fight, both men are going to get seriously hurt. That parity doesn't exist between men and women, and women at college don't have the familial and social structure necessary to visit any kind of tribal retribution on the male perpetrator. This is one of many factors that lowers the threshold that enables men to contemplate rape as a rational act.

Mansfield's "misadventure" isn't just about illegality or disrespect. It's about parents failing to teach young men to view women as their equals, to respect their boundaries, to learn how to communicate and hear women's wants and desires. One person recently and brilliantly said that "For some men, preserving misogyny is more important than sexual pleasure." I'm afraid we're going to have to put Harvey Mansfield into that group.
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Omaha and I spent New Year's Eve at the Seattle Center, which is a common gathering point for Seattlites without a better plan. The city adorns its beloved Space Needle monument with fireworks and blows them off at midnight to herald the new year, and then everyone walks home. There are a lot of anecdotes I could pack into the evening, but there are two that stand out for me as worth considering.

Like a lot of men, I have more than a little of the lecher in me. I try to keep it well-contained and polite. So while Omaha had gone dancing (She felt compelled to dance to every song the band played; I only felt compelled by about every third song or so) I sat at our table and fiddled with the book I'd brought in my pocket. At the table next to ours, an exquisitely beautiful young woman with vaguely Chinese features wearing a read sweater-dress and black leggings sat down and began punching a text into her phone. I admired her, hopefully not so long that she'd notice or be embarrassed by it, and then went back to my book. She rose and got an empty chair, and I quelled my inner pervert when I understood that someone was going to be joining her soon-- perhaps a jealous boyfriend.

Another woman arrived and sat next to her. She wore the exact same outfit, and from the back seemed to have the exact same haircut. The first woman held up her phone in front of them to take a selfie, and I realized her date for the evening was her sister. Her twin sister.

Gods help me.

Anyway, after taking a moment to note that encounter down, I went back to my book.




A little later, Omaha was in line for the ladies' restroom. It was a heck of a long line. I took a seat on a small bench parked nearby. A man wearing a heavy parka who looked to be in his late 30s walked into the space between me and the line and said, loudly, "You ladies wouldn't be waiting so long if you didn't spend so much time in there, powdering up your faces or whatever." A few of the women glared at him.

I put my book down and looked up at him. "Dude," I said aloud, "Was that really necessary?"

"It's true!" he said, loudly. "They're in there, doing up their faces or whatever."

"Look," I said quietly, still not getting up, "They're suffering enough, being patient at all. Just leave 'em alone."

He muttered something about "Maybe they should put mirrors outside," and quickly left the building. Nothing else happened. I went back to the book.




I'm looking at these two incidents and trying to figure out if I did the right thing in either case. In the first one, I think I did; we can't not be human in public; when two beautiful women sit nearby, I'm going to notice. I didn't try to attract their attention, or ask them to do unpaid emotional labor on my behalf. I'm perfectly capable of conjuring up my own fantasies about twins and even if I wasn't, there are plenty of paid professionals out there willing to do it for me. Or even unpaid amateurs.

In the second, though, I'm wondering if I stayed seated, stayed small, and avoided getting in this guy's face more because he was big and large and I'm not all that confident. The women in line didn't do anything to deserve that sort of harrassment; I should have done more. Ah, well, I'll try not to beat myself up too much about it.
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So, there's been another storm over male privilege, this time in the vaunted halls of the Science Fiction Writers of America, where a few complaints about a chick-in-chainmail illustration on the cover of SFWA Bulletin #199 quickly devolved, with a regular column by Mike Resnick and Barry Malzberg in SFWA #200 discussing the sexual attractiveness of women writers in their industry, and how much of a shame it was you could no longer say stuff like that without being "censored." This was then followed by another editorial in the next issue extolling the virtues of Barbie (!) for "maintaining her quiet dignity the way a woman should."

(One of the big lessons this time around, guys, is one we've been saying for years on Usenet: it's a gas to hear someone tell a million people he's being silenced for his opinions. Disagreement is not censorship. Hell, it's not even disrespect. If we disrespected you, we wouldn't even bother engaging.)

The thing that stands out, to me, is that this conversation isn't happening among illustrators. Especially not illustrators working in the SF/Fantasy space. Despite its attractiveness to wanna-bes, ImagineFX is still the best magazine on SF/Fantasy illustration out there, so check out the past dozen or so covers. The last six issue feature some variation of "hot chick" art, much of it absurdly exaggerated or disproportionate.

Given the differences in the medium, I wonder if the conversation about treating women like human beings will ever come to the illustration side of the business, or if this is something ever more entrenched.

Then again, maybe that's not the point. The chick-in-chainmail cover may have been pointless and silly, but it was the guys at SFWA's "Why can't you women take this sort of thing lying down?" attitude that drove the anger. I'm sure there are troglodytes in the illustration game as well, but it's a question of how much voice they have in high-profile positions, and how much they can get away with.
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I'm trying to parse this sentence, in an article about The Feminist Porn Awards:
The vast majority of explicit material is made for a male audience; at best, it is degrading, and at worst it is often physically harmful to the women featured in it.
I'm trying to figure out what the writer is saying here. Is she saying, "The vast majority of explicit material is degrading to women"? Or is she saying, "Explicit material made for a male audience is, at its best, degrading to women"?

If it's the first, I can see how someone could make that argument. It's an arguable position. I think it shows a deep misunderstanding of the marketplace of porn, and what porn is, who makes it, and who consumes it.

But it seems to me that she's making the second, which I would argue is not only not true, but it's deliberately and viciously androphobic. The assumption is that male pornography consumers (and creators) can only be expected to be degraders of women, and nothing more.




I also find the rest of the article degrading, as a man. The idea that "'depicting a woman thrust up against a nightclub wall by a man and [redacted] hard' is degrading" is degrading. I wouldn't mind being thrust up against a nightclub wall and [redacted] hard myself, by either a hot man or a hot woman. It's not the act, it's matters of consent and context.

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Elf Sternberg

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