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elfsIn contrast to Charles Runyon's "Deeply Sicko SF" (as determined by the readers of rec.arts.sf.written) about which I blogged the other day, Norman Spinrad is simply a writer's writer, and his book, The Void-Captain's Tale is a masterpiece. His characters have individual, powerful voices, and one can literally feel the number of re-writes Spinrad went through to make sure everyone in his books is unique and special. His cultures are dense, and with just a few special touches-- here, it's the way characters "trade the stories of their names"-- he makes his worlds come alive. Ships jump from star system to star system, and a tradition has grown that the wealthiest passengers don't do cryo but instead help keep the crew from going nuts on the weeks-long voyages by filling the vast, heat-dissapating spaces with balls, gardens, and various "divertissements." There is decadence aplenty within these floating bawdy houses, but it is of a most mundane sort.
The special touch to TVCT is that hyperspace jump requires an organic component. Usually these "pilots," who are emotionally and physically wrecked by the experience, are plucked out of finishing schools already identified as being on a downward spiral, and are offered a chance to make something of themselves and retire young. But the experience of hyperspace is so ecstacy-inducing that, when forciby retired, most pilots go crazy or commit suicide. Sometimes they die en-route, and the captain is forced to pick a volunteer from among the passengers who, untrained and unprepared, is likely to die or destroy the ship with his inexperience.
The pilot of this ship is a such a volunteer, one of the few ever to make it home alive, who liked the experience so much she's still doing it. Unlike other pilots who usually just try to recover from their experience and shun the rest of the crew, she is strong, conscious, arrogant, and brash, and wants to mingle with the crew and passengers. This violation of strict tradition brings out powerful feelings in the Captain, crew, and guests, and those feelings drive this book forward. The tension in this story is simple: the Captain becomes obsessed, almost Ahab-like, with this fascinating pilot and in his downward spiral makes poor decisions that ultimately doom his crew.
Is it "depraved?" Yes, but in a different way: the captain in his obsession demonstrates that quality called "depraved indifference," and Spinrad has done his usual tour-de-force job of showing how a character can get himself into such a position, convincing us each step of the way that, yes, human beings really do think this way, and yes, what we're seeing is a slow, inevitable slide down into madness and no, there's nothing anyone could really have done or forseen to prevent it. But there's nothing to suggest that the universe depicted or any of the other characters in it are anything more than ordinary, sufficiently moral human beings. Great read.
The special touch to TVCT is that hyperspace jump requires an organic component. Usually these "pilots," who are emotionally and physically wrecked by the experience, are plucked out of finishing schools already identified as being on a downward spiral, and are offered a chance to make something of themselves and retire young. But the experience of hyperspace is so ecstacy-inducing that, when forciby retired, most pilots go crazy or commit suicide. Sometimes they die en-route, and the captain is forced to pick a volunteer from among the passengers who, untrained and unprepared, is likely to die or destroy the ship with his inexperience.
The pilot of this ship is a such a volunteer, one of the few ever to make it home alive, who liked the experience so much she's still doing it. Unlike other pilots who usually just try to recover from their experience and shun the rest of the crew, she is strong, conscious, arrogant, and brash, and wants to mingle with the crew and passengers. This violation of strict tradition brings out powerful feelings in the Captain, crew, and guests, and those feelings drive this book forward. The tension in this story is simple: the Captain becomes obsessed, almost Ahab-like, with this fascinating pilot and in his downward spiral makes poor decisions that ultimately doom his crew.
Is it "depraved?" Yes, but in a different way: the captain in his obsession demonstrates that quality called "depraved indifference," and Spinrad has done his usual tour-de-force job of showing how a character can get himself into such a position, convincing us each step of the way that, yes, human beings really do think this way, and yes, what we're seeing is a slow, inevitable slide down into madness and no, there's nothing anyone could really have done or forseen to prevent it. But there's nothing to suggest that the universe depicted or any of the other characters in it are anything more than ordinary, sufficiently moral human beings. Great read.
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no subject
Date: 2008-04-29 09:28 pm (UTC)If you haven't read these, I highly recommend them (despite the existence of some almost-corny parts in each): 'Songs From Beyond the Stars' (the BEST post-apocalyptic reconstruction *evar*), A World Between (perhaps his most prescient of all).
I have the Druid King (have had it for years), maybe this will tip me into actually reading it...
Child of Fortune
Date: 2008-04-30 06:32 pm (UTC)I found this book... breathtaking. It's basically a "coming of age" story, but with the breadth of scope that makes science fiction my favorite genre.
I can't recommend this book highly enough.