May. 28th, 2008

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At 9:00am we reassemble in the jury room. One of us is late, and the bailiff reminds us to not deliberate until he arrives. We're actually pretty good about that. He shows up at 9:15, and we start.

The topic is "Pain and Suffering."

We have one woman on the jury. She's strong-willed-- I think she and Omaha would get along well-- and holding her own against eleven guys. She points out that Miss T has a build similar to her own, with the same hips and so forth, only Miss T is significantly heavier. She makes the argument that if Miss T is working out every day like she says, she wouldn't be so overweight, she wouldn't be so heavyset. She'd be buff. She'd be exercised.

There are very strong feelings around the table. Some feel that Miss T is playing the victim too hard. Two men feel that, even so, should she be penalized, if she's really still hurting from the accident, for having a personality that latches on to the "victim" label? We have questions that can't be answered like when did she stop going to the gym, and so forth.

One thing that I make a comment about is how paltry all the evidence really is. Three witnesses for the plaintiff? She must have other friends, gym mates (every day? Heck, I've got guys at my gym I share my lunch hour with, and we've come to know each other's names over the past year!), co-workers who can testify as to her injuries. Where are other physician's opinions? Frack, for my knee alone I've got two physicians who can talk about it: the orthopedist and the physical therapist.

Yet this woman, who has migraines, has never seen a neurologist. She's never had physical therapy. She's never seen an orthopedist. There was testimony that she'd seen a chiropractor once or twice, where are those records? Over and over, she makes poor choices about her healthcare use.

We debate if she's faking. Is she maybe just achy and overplaying it? What can we say about her? We argue. What they're asking for is so small, in our collective experience, it's "obvious" (to some) she's not trying to get a windfall. We fret about how much is going to the attorneys, and how much the insurance companies will take back.

We read through the reports and little things jump out at us. There's a day in 2007 when Miss T goes to see Doc L and for the first time in three years reports a sudden spike in severe back pain, severe neck pain, and horrible migraines. The very next day there's a billing entry that Doc L gave his first deposition to the other side's attorney. Interesting, eh? Coincidence? Maybe. Evidence, certainly.

We really talk about the question of alternatives. I mean, remember yesterday we talked about how we were going to try and message that we disapproved of her chosen course of future treatments. For whatever she got through the pain and suffering part of the settlement, she could do whatever she wanted, and she can use it to pay for the treatments with Doc L. Some on the jury thought we should penalize the reward for her adamance in that direction; others thought we should not penalize her if we thought she needed further treatment if we believed she was still suffering from crash-related injuries.

We talk about the pain. About how long. One juror feels very strongly that we can't put a time limit on the pain. A few of us, myself included, argue differently: we have to. There's no infinite supply of money here. It's our duty to come up with a final dollar amount. It could be high, or low, but it has to be final.

I think his problem is that a majority of us are trying to come to grips with an algorithm of some sort to justify our decision, and he's not happy that we're haggling over whether or not we should consider the algorithm in terms of 24 months, or 30 months, or six years.

We find all these others. "Since stopping job, patient reports much improved with no reported significant pain." We talk about the injections: we agree that a bone-scraping injection has to be painful, it has to suck. But as I point out, if you've placed yourself into the hands of a trusted physician and after two years you're not getting better, he's going to go for more extreme things, and this injection procedure is Doc L's thing. It's what he does. He believes in it. It's his extreme thing.

"Okay," I say, abusing my position as presiding juror. "Every man in here who's ever been with a buddy and the two of you talked each other into doing something stupid. Getting really drunk. Driving stupid. C'mon. Nod your heads." There's some agreement. "This can happen between a doctor and a patient. Each reinforces the other until they reach this point. It can happen." The one woman on the jury says that women do it too. We discuss whether or not "the more painful the placebo, the more you'll believe in it, or can justify it?"

It's not about the length of time. Really. I try to convince them of that. We don't get to tell them our justification. It's just an amount of money. I draw a box on the board with lots of different figures. Koenig's $12K and $20K, then our $30K, $64k, $100k. We debate what the money is for because, as I say, "you can't eat it, or drink it, or sleep with it." But money is what we have to decide. Not time. Not companionship. It's a fascinating conversation. At one point, we talk about Frank, and we really do understand that at we cannot penalize him above and beyond what we feel he legitimately owes Miss T.

It's a bewildering conversation at times. Everyone's in it, and we all follow it, but it goes absolutely everywhere. I have to keep track of speaking order, pointing to one juror, then another: "You, then you, then you." Some on the jury want to reopen the questions of economic damages, to balance it all out. One guy suggests we just double the economic. His message: you've gotten halfway to well, so, here's another similar lump of cash and if you're smarter about it, you can get all the way.

Thank the gods there's a woman on the jury. She can say things about that woman no man can say.

We get nine people to agree to $25K. It seems harsh. The other three want $30K at least, and we play with the idea of $27,500. I protest that it just looks too much like a compromise. It doesn't fly. We re-read the rules again (I wish I'd kept my copy). The compromise makes nobody happy.

We vote again on $25K. This time we get ten votes. We add it all up, show the whole amount, about $50K all told with past medical and pain & suffering. We all whip out calculators and do the math again. There's a one dollar discrepancy between two groups: we identify a rounding error in the math around the bill and its interest.

We take a show of hands. We have ten. Thank goddess. There are two who hold out. And it's funny-- I understand and respect why. I don't agree with them at this point, but I understand. And it's over.

As the presiding juror, I fill out the form that will define two people's lives for a while yet to come. I sign it. We call the bailiff.
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Grey Knights by Ben Counter is the first book in Counter's Grey Knights Trilogy, set in the Warhammer 40,000 universe.

For those unfamiliar with the WH40K universe, let me just say that it's an utterly depressing, grim, and gruesome setting for any writer. It's a baldly supernatural faster-than-light space opera, where two factions battle for supremacy: The Chaos From Warp, and the Empire Of Humanity. Chaos threatens to swamp the universe in the guise of daemons and powers, destroying all of humanity in a terrible blaze of horror, and humanity must fight back with everything it's got, unendingly, and in the process it becomes as nasty and vicious as its enemy. The Empire is led by the transcendent Emperor, a being who once was human but who has become part of the Warp and directs the empire with his infinite reach.

Computers don't work well in this universe, so lots of information is kept on books. Starships are strewn with incantations scrawled along their surfaces, and the most valuable warships have long flowing runes embedded in precious platinum alloys along every square inch of hull and pipe. Low-class cargo haulers are thick with smoke and machine oil. Since demons from the Warp can only be killed by physical touch backed with a will there exist the Space Marines, melee specialists in three-meter tall powered armor who have mystical protections tattooed on their skin and engraved on their armor.

This is over-the-top space opera fantasy cranked far beyond 11. There's new terms for everything: "Cogitators" for ticker-tape spewing computers, "vox" for radio, "medicae" and "apothecarists" for doctors, the "adeptus mechanicus" is a from-the-grave guild for fixing machines and has its own Machine God, and so on. This is no future history: it starts with an alternate origin from the very founding of humanity.

How does it work? In the hands of someone familiar with it, works suprisingly well. Ben Counter knows this grim future history better than most.

Grey Knights follows the adventures of Grey Knight Brother Alaric, a young man on the verge of getting his first command. A vast tear in reality has happened in the Empire and every soldier is heading out that way. Except for Alaric's Squad and the Inquisitor Lady Legia, who believe that a terrible threat is emerging along a decrepit backwater hyperspace path known as St. Evisser's Trail. They come to believe that a vast demon known as Gahrgotuloth will re-emerge somewhere along the trail and create a vast army that will swamp the Empire.

It's all grim, ugly, charnal stuff. There are no nice people in this book. Alaric is trying to do the right thing and preserve a universe in which humanity might live, but in the process he leaves behind his own wake of death and destruction, because he must. Counter is aware of how grotesque the scenario really is; demons and other humans frequently taunt Alaric with his awareness that all he's doing is helping preserve polluted worlds where up to a trillion people live desperate, violent lives in vast underground warrens called "hives," waiting to become fodder for the Emperor's army, thrown against Chaos in bloody, unending battle.

And yet, what sucked me in was the comprehensiveness of the universe. It has so many layers and is so well thought-out that it summons an effective suspension of disbelief even from the very beginning. Counter's not a great writer-- he repeats himself at times to emphasize the ghastliness of it all, or the age and dedication of the Knights, and will occasionally use a cliche'd phrase-- but he knows this stuff so comprehensively that he wades into it completely undaunted. His characters pray to the Emperor constantly., and Counter has done a great job of cataloging the prayers, the books from which they pray, the kinds of prayers, and which divisions pray which ways. He does the same thing with locations, planets, histories. He produced a satisfying story with such a surprisingly effective twist at the end that I had to admire what he'd pulled off.

There's actually not a lot here for powered armor fans. The armor doesn't make a whole lot of sense; it's hard to tell if it's mechanical or magical in power, and it's not closed to environmental horrors so our heroes are at constant risk of having their heads chopped off. Apparently, that's a necessity of magical effectiveness.

Alaric is a pretty good character. He has no heart for humanity itself. His staff is made of mind-wiped and surgically altered humans, some of whom are simply "destroyed" after they have been used to record magical histories lest they be tainted themselves, others kept simple to avoid their being spies. Yet he comes across as the Good Guy, or as Good As It Gets Guy, in this horrific universe. He wants to do the right thing. Unfortunately, he cannot question his Emperor; he knows if he did, he would lose the faith and power that allows him to conquer over the demons. His supporting characters aren't cardboard and they do make sense for the WH40K milieu.

Grey Knights is about 400 pages long. Almost half of that is battle scenes, including the 100-page raw, gruesome climax war at the end as Alaric and his Knights fight a starship battle to the planet's surface and then layer after layer of corrupted human armies to reach the Pit of Gahrgotuloth and a final confrontation with the very face of corruption and evil.

It's like the anti-Journal Entries.

As a horrifically grim story with an all-encompassing backstory and a universe with absolutely no place for love, Grey Knights nonetheless still works. If you've a taste for this kind of stuff, this is the kind of stuff you will like.

Grey Knights is published by The Black Library.
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It takes something like half an hour to assemble everyone. Even with our decision made, we still talk about it. Passing judgement. We BS a lot of other things, too, like what we do for a living, we talk about our kids, stuff like that.

One juror relates that he dated a woman who never paid for parking. She'd run the numbers, and gotten used to the procedure of getting her car out of the impound, and had decided that paying the fees was cheaper than actually paying the lots. It's an interesting line of reasoning, and I might run those numbers myself just to see what comes of them. Of course, the one time I parked illicitly in the past ten years, I got caught, so my luck isn't as good as hers.

The bailiff comes and gets us. We get into line to go back into the courtroom. We're seated. Mr. Landry and Miss T are there, but Koenig isn't. I've got the verdict in my hand. I'm terrified that I'll mess this up, even though I have nine people backing me up.

The judge says, "Has the jury reached a verdict?"

I say, "The jury has, your honor."

Mr. Koenig is on the speakerphone, which looks just like the ones we have at work. She reads the verdict, and says the zero for future economic damage clearly, but without surprise. "Mr. Sternberg, is that the verdict of the jury?"

"Yes it is."

"And is that also your verdict?"

"Yes it is."

She then goes to each and every juror. Nine other people say that it is the verdict of the jury, and it is his or her verdict. Two say it is not his or her verdict, but agree that it is the verdict of the jury. The judge files the verdict with the court and then she releases us from our duty and our oath of secrecy, making it clear that we're free to say whatever we want about the case now that we're done.

I feel... drained. Blah. It was a compromise. My only reassurance is that nobody is really happy about this. Nobody "won." Not of the case, not in the jury. That's okay with me: if nobody feels they won, then no mistakes were made, because this is one of those things in life where the only questions are about how much or how little you lose. Winning isn't part of the expectations.

A little while later, the judge cames back to shake our hands. The bailiff handed out "certificates of recognition" while the judge asks if we got along. Yes, we did. She tells us that the lawyers are out in the hallway and are willing to talk to us about their "performance." I remember that word clearly; I thought it was a strong word, especially after my description of Koenig.

Someone asked her about the summons. I related my story of the woman behind the counter at the fast food restaurant I'd hit yesterday and said, "That makes my point. Jurors have certain virtues in common. Does that really make us, compared to the people that come before the court, really, you know, peers?" She conceded that that was a very good point, but the system was doing the best it could with what it had. "Besides, we're not really interested in issuing bench warrants for ordinary citizens and the police prioritize to get the dangerous guys first, so it's very unlikely that anything will happen."

And we shook hands again and said goodbye, and then I walked out of there, probably to never see or hear from any of my fellow jurors ever again.

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Elf Sternberg

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