Nov. 9th, 2007

Pink noise.

Nov. 9th, 2007 09:58 am
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Pink noise is the correct term for what most people call white noise, but "white noise generators" are mostly recordings of natural sounds. I like natural sounds for the most part: whind, rain, the sound of a rushing water. The one sound that drives me crazy, however, is trickling water. I've never understood why people want those little trickling fountains. There's a little Thai restaurant near my home that Omaha and I like to frequent, but it has two large vase-shaped fountains that drive me nuts.

Why is that?
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I think last night, when I took Kouryou-chan to Dilettante's, that the waitress mis-heard my request for a decaf truffle-and-coffee combination. I was up until 3:00am last night, having the most bizarre paranomic mindstate while I lay in bed. An entire new story series, a contemporary romance in a new medium, was offered to me by my brain. There were 50-odd episodes in the total arc, of which 18 came to me completely filled out.

Muse needs to lay off the coffee and chocolate.
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Laurie Anderson has a piece on one of her live albums entitled "Difficult Listening Hour," before which she exhorts her audience to do the opposite of what is recommended by "easy listening" DJ's: "Sit upright in that straight-backed chair, button that top button, and get ready for some difficult music."

Protest The Hero qualifies. You have to love a band that says it doesn't care about genres, and all of its fans are trying to figure out if it's Progressive Metal, Heavy Metal, or Punk Metal. The great part is that "punk metal" is now known as metalcore, and metalcore that demonstrates a significant degree of technical virtuosity with instruments, complex time signatures, and unusual song structures has become known as mathcore. Now mathcore sounds like something I should like.

Mathcore. How win is that? All we need now is a Mathcore/Nerdcore crossover band (Linkin Park, Rage Against the Machine, and MC Hawking all on stage together doing an overly complex twenty-minute long version of Entropy with screaming guitar solo!) and the world will implode, drawn together by its own ineffable excellence into a perfect, cooling sphere of hyperlyrical neutronium.

Genre is completely dead. But I've been rocking to Protest The Hero all day. If you like the baroque complexity of Mozart, if you like your guitars as powerful as Maiden, if you want the vocal passion of Rage Against the Machine juxtaposed with the sudden rare sweetness of Annie Haslem, and if you admired Threshold's experimentation with gruntrock, you should give Protest the Hero a listen.

Just don't expect it to be background music.

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Elf Sternberg

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