May. 9th, 2007

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As I mentioned last week, Omaha bought us tickets to Porcupine Tree at the Showbox last night.

Now, I've never been in the Showbox. I had no idea what to expect from the facility, nor did I have a real clue what to expect from the fans of Porcupine Tree. As it turned out, the audience was a complete mix, with kids as young as fourteen and fifteen all the way up to serious geezers whose first concerts involved Yes and Peter Gabriel's Genesis. There was even a rumor that Alan White of Yes was in the audience although I didn't see him.

Omaha and I took refuge in the bar-- it was less crowded than the center stage. I won't discuss the opening act here, but not for lack of desire. See the next post.

The Showbox speaker system is huge. Depending upon the frequency hit I felt more than heard some of the baselines all up an down my innards. By the end of the concert my hearing was seriously dulled (and today still feels a little weird although it's mostly recovered) and I felt like I'd been standing behind a 747 for three solid hours.

Porcupine Tree is a much harder band than it used to be. They were once a high-end psych-prog rock band, doing all kinds of nifty things and playing musically solid and lyrically intellectual songs in the vein of Pink Floyd and Yes. Last night they rocked like they wanted to be a heavy metal band, or maybe the last great grunge band. Steve Wilson was amazing naturally but so was his back-up guitarist, who isn't identified on the website dammit.

They had one technical glitch when the video player went out, so they played an instrumental piece that then dove into hard rock and loud metal grunge. They did that a lot: playing pieces like "Light Bulb Sun" and "Sever", pieces you don't think of as heavy, with so much volume, power and energy that it left my head spinning.

Omaha's only problem is that when the band went really loud they also broke out the fucking strobes and she has to be aware of that because they might trigger an epileptic seziure. But she was good about keeping her hands over her eyes and the band gave cues.

The audience was fabu. Some kids tried to start a mosh pit but it fizzled, and one of the kids who was in the mosh pit lit up a spliff I could smell from fifteen feet away, but other than that it was a good time.

If I had one disappointment, it was that they didn't play any really old stuff: No "A Slave Called Shiver," or "Last Chance To Evacuate Planet Earth Before It Is Recycled," or "Voyage 34: Phase I". A different crowd, maybe, would have found those pleasing. They're among my favorites. But I had a wonderful time rocking out to one of my favorite bands, and I think I might have a new love, too. More on that later.
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As a general rule, opening acts suck. I can't remember who opened for Heart the one time I saw them in concert, I don't think anyone even dared trying to open for Pink Floyd, the opening acts for Blue Oyster Cult the two times I've seen them were local "hard rock" bands that were not worth recalling. I mean, there seems to be a rule that opening acts must suck: the opening act for Jethro Tull was Saga, for Set's sake, and they sucked live.

Three has restored my faith in both opening acts and progressive metal. They rocked. A mostly classic fivesome: lead singer/guitar, second guitar, bass, drums, and keyboards. Except the guy on keyboards also had a second, smaller drumset pressed up against the main drumset. The second guitar owned a classic axe and I thought he was pretty good. And then the lead singer/guitarist pulled out his own guitar and proceeded to do the impossible: play slap-fret heavy metal. I was so blown away by his skill, there was such visceral admiration for it from the audience.

And then the drummer got a solo, and he was quite good as a soloist until the keyboardist grabbed a pair of sticks and both of them started soloing in tandem on his mini set. They played against each other the way jazz musicians play against one another. Until they started hitting each other's instruments and things got even cooler-- to the point where one of them squelched a high hat with his mouth.

The audience went completely nuts. I bought the CD. Their studio work is solid, but it really lacks the astounding energy and sheer bravura that Three put out on stage. They broke the rules: they were an opening act that was as good as the act that followed. Porcupine Tree had to work, and work hard, to pull the audience up to the level of frenzied admiration that Three had aroused. Fortunately, they succeeded.


Aw, frack. My ipod's headphone jack is borken. I've lost all sound in the right ear. This is not good. I just had the car's brakes done and paid for the Pendorwright server, and I'm broke for at least the next two months.
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Damn, I hate it when I'm right. August 10th, 2006: Jail guard allegedly accepted offer of sex. August 31st, 2006: Jurors deadlock in jail sex trial. That's what all the negotiating over drugs and addiction was about: they were dealing with knowledge about each other's tactics in the previous trial!

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Elf Sternberg

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